![]() ![]() But even that track adds another piece to the CSNY puzzle: the sound of these four (sometimes three) men at work in a studio, something we’ve rarely heard save for random bootlegs. None of these replacement takes is markedly different than the versions we know, save “Almost Cut My Hair”: here, Crosby’s voice doesn’t quite have the raspy attack of the released take and Stills and Young’s guitar-solo lobbing feels a little messier and more embryonic. David Crosby’s “Déjà vu” sports more homogenized harmonies that lack the ghostly beauty of those on the released take, but this “Our House” actually feels a tad more forceful in its delivery and piano. That means we hear Stills’ stampeding opener “Carry On” with a few guitar lines excised at some point a folksier “Teach Your Children” without Jerry Garcia’s pedal steel or “Woodstock” with a less urgent Stephen Stills vocal but jauntier piano. The first disco offers up the expected shiny new mix of Déjà vu the sonic freshening-up is clearly felt on tracks like the closing “Everybody I Love You,” where the instruments sound punchier and crisper.Ī separate disc offers up the same song-by-song lineup (save for Young’s “Country Girl” suite) but in alternate mixes or outtake versions - the bizarro-world version of Déjà vu. But a sense of tension and terseness ran throughout most of its 10 songs - the perfectly timed soundtrack for an increasingly discombobulated generation grappling with life during Vietnam, Richard Nixon, and everything else hitting them at once.īut these four men, either at or approaching their creative peaks, also arrived with piles of new material, and this four-disc set attempts to bring order to it all. From the wail-of-sound harmonies on their rocked-out cover of Joni Mitchell’s “Woodstock” to the living-room warmth of Graham Nash’s “Our House,” it had moments of brightness. The album that emerged from the charged and often fraught sessions largely lacked the sunshine-harmony joy of its predecessor, Crosby, Stills & Nash. Released in time for its 51st birthday (these guys always broke the rules, starting with the use of their names as a band), it asks you to imagine the ways in which one of the more beloved classic-rock albums could have been almost entirely unlike the album we’ve known since 1970.įor their first full-on studio collaboration with Neil Young on board, CSNY headed into Déjà vu in the summer of 1969 in various states of psychic fragility, cockiness, and apprehension. The boxes complement, rather than upend, the core record.īut in multiple beguiling ways, the 50th anniversary revisit of Crosby, Stills, Nash & Young’s Déjà Vuoffers up a new twist. ![]() For your extra dollars, you’re handed an updated, sonically enhanced version of the original album, a smattering of alternate takes of its songs, maybe a few tracks that had been relegated to the vaults or a DVD with period footage. Despite it being his first time sailing, it seemed to come easily to him-like he had done it in a past life.By now, the formula for blown-out editions of landmark albums is set in archival stone. In the 2019 book Crosby, Stills, Nash & Young, he recounted a sailing trip he took on his friend’s boat. While Crosby was a long-time believer in karmic energy, there was a specific incident that inspired the lyrics. How else can I explain knowing how to sing harmonies at age six and having a persistent delusion, all my life, of having been somebody else before.” ![]() The identity print gets wiped, mostly, but sometimes there’s a ghost print and some stuff hangs around. In the liner notes of the 1991 box set, Crosby, Stills & Nash, he reiterated that point saying, “The law of conservation of energy applies: life force just doesn’t go away. “I’m one of those people who thinks we go round again,” said Crosby back in 2008. In light of Crosby’s death earlier this week, we’re going through the meaning behind the track below. Though it wasn’t released as a single, it gave that iconic album its name and has subsequently received its fair share of love from CSNY fans. The late David Crosby penned “Déjà Vu” for the group. ![]()
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